![]() ![]() The full programme of the Early Music Festival is in the festival brochure. The theme of the 2014 edition of the Early Music Festival is: Hapsburg, with music from Vienna and Prague. She will be performing a programme of 17th century Austrian music by composers including Schmelzer, Froberger, Biber en Pandolfo Mealli together with Gli Incogniti. Bach.Īmandine Beyer will be playing on Wednesday 3 September in the newly opened TivoliVredenburg in Utrecht as part of the Early Music Festval 2014. In addition, she will be performing music by Robert De Visée and Carl Philipp Emanuel Bach together with the lutist Pascal Montheilhet and the pianist Edna Stern.įinally, Amandine Beyer can be heard solo playing the complete Partita no. In this episode of L'Esprit Baroque you can listen to Amandine Beyer with Gli Incogniti performing music by Nicola Matteis, Johann Sebastian Bach, Antonio Vivaldi and Arcangelo Corelli. Since then she has embarked on a solo career and has also established two ensembles: Les Cornets Noirs and Gli Incogniti. Here she discovered the world of rhetoric and came into contact with musicians such as Hopkinson Smith and Pedro Memelsdorff. Album DescriptionAmandine Beyer studied with Chiara Banchini in Basel. See More Your browser does not support the audio element. It may be a bit far out, but this is a fresh Vivaldi disc in every way. The Violin Concerto in B flat major, RV 372, "Per Signora Chiara," and Violin Concerto in B minor, RV 390, are late works that contribute anew to the understanding of how much Vivaldi contributed to the forerunners of Classicism. One and possibly more of these works were written for Vivaldi's orchestra of illegitimate girls at the Ospedale della Pietà, and indeed the entire disc is easy to imagine in performance by that presumably small group. The Four Seasons are balanced with other concertos that are quite rare, two of them world premieres. ![]() There are, however, enough startling choices, like the heavily plucked and much-faster-than-Largo central movement of the "Winter" concerto (track 18), that the disc may be more to the tastes of the adventurous than otherwise sample extensively and decide. ![]() That works quite well with the Four Seasons concertos, which are rendered in a colorful enough way that they evoke many of the images in Vivaldi's accompanying printed sonnets (which would have been a profitable inclusion in the booklet). The overall feel is light and agile Beyer doesn't so much push the tempo (although there's a little of that) as imbue the solo lines with maximum variety, creating a fantasy-like feel. In her own words, Beyer seeks "lightweight forces and freedom of phrasing." The group is small, with microphones put down right in the middle, and you hear lots of internal lines and interplay rather than contrast between orchestra and soloist. Her version, with the Italian historical-instrument group Gli Incogniti (who are not quite as unknown as all that), is as strikingly revisionist as the various turbo-powered, operatic Vivaldi recordings that began coming out of Italy in the 1990s, but it is different in flavor. Buy the album Starting at 13.99€ĭirector and violinist Amandine Beyer acknowledges in her booklet notes for this disc that the world may not seem to need another recording of Vivaldi's The Four Seasons, but then she tops the bar she has set up by delivering an entirely distinctive reading of the work. In the same time, she wrote a master dissertation on K. At the age of 15, she was admitted in the Conservatoire National Suprieur de Musique de Paris. Purchase and download this album in a wide variety of formats depending on your needs. Amandine Beyer (Violin) The French violinst, Amandine Beyer, began studying music Aix-en-Provence at the age of 4: recorder, then violin in Aurlia Spadaro’s class. ![]()
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